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The Basket Moon, by Mary Lyn Ray
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In a lyrical, elegant coming-of-age picture book, a boy begins to doubt his heritage when he hears taunts of "hillbilly" and "bushwhacker, " while accompanying his father to the big city. Color illustrations throughout.
- Sales Rank: #302951 in Books
- Published on: 1999-09-01
- Original language: English
- Number of items: 1
- Dimensions: 11.25" h x .38" w x 8.88" l, .95 pounds
- Binding: Hardcover
- 32 pages
From Publishers Weekly
Weaving in authentic details as seamlessly as Pa weaves the splints in his baskets, Ray (Mud; Pianna) pays homage not only to a time-honored craft, but to the way traditions link one generation to the next. A boy growing up in the hills above the Hudson Valley longs to accompany his father to town, where each month he takes his baskets to sell: "He always went when the moon was round, to have it for a lantern if he was late returning." As the seasons turn, the boy continues to watch and wait, listening to the stories Pa tells, observing the men at their basket weaving. Then after his ninth birthday, "I began to see Pa studying me the way he checked a basket when it was finished"; at the next full moon the boy is allowed to go to town. The journey opens the world to him, in more ways than one; the boy will never view his life the same way again. Ray's subtle symbolism and poetic language create a story that will linger with readers for many moons. And Cooney's (Ox-Cart Man) scenes are as pristine as the narrative. From countryside to bustling early- 20th-century metropolis, her deft brush picks out a few carefully chosen details to balance the ethereal simplicity of each scene: delicate fern fronds decorate the forest's undergrowth; a boy's red mittens counterpoint the muted grays of a winter scene; the iron filigree on a rooftop in town adds an elegant touch to the skyline. Author and artist unite in a tribute to the natural world humanity, and their abiding interconnectedness. Ages 4-8. (Sept.)
Copyright 1999 Reed Business Information, Inc.
From School Library Journal
PreSchool-Grade 3 This engaging book tells about a young boy's coming-of-age in an isolated rural community around the turn of the last century, and about the special baskets made by the people who live in the hills above the Hudson River. For years, the child has been eager to join his father on his monthly walk to the nearby town to sell the baskets. Pa always goes at the time of the "basket moon" (the full moon) because he needs its light to find his way home. Finally, after the boy's ninth birthday, he accompanies his father to town. He is excited by all the new things he sees there, but when a townie taunts them with "A tisket, a tasket, hillbilly basket! That's all a bushwhacker knows," he is devastated. He wants nothing further to do with basket making and wants his family to stop, too. One of his father's helpers, seeing the boy's distress, helps him to understand the artistic nature of their craft, and to value such work. The story is told by the boy in lyrical prose, and is graced by Cooney's soft-hued oil-and-acrylic paintings. The artist makes the mountains and forests glow with a suffused light that enhances their beauty and softens the family's hard life, and she artistically incorporates the various steps of basket making described in the text. An afterword explains a little of the history of these baskets and the people who made them. A luminous and deeply satisfying look back in time. Virginia Golodetz, Children's Literature New England, Burlington, VT
Copyright 1999 Reed Business Information, Inc.
From Booklist
A nineteenth-century boy watches his dad make baskets from the trees around their home in the hills of Columbia County, New York, and finally Pa allows the boy to go with him to sell baskets in Hudson. The boy enjoys the town, the trading, and the adventure, but when a townsman sneers at them as "hillbillies," he is ashamed and wants nothing more to do with the basket craft in his home. Children will understand the boy's longing to join Pa, his pride in the family work, and his bitter hurt at the insult; they will also feel his initial anger and rejection. How he finds affirmation is more subtle, and it is here that Cooney's quiet, beautiful paintings in oil pastel and acrylic express the essence of the story, weaving together from the first double-page spread to the last the basket maker's natural world and the work of his craft. The images combine folk art and landscape scenes in widening circles that include the round moon, the rolling hills, the path through the woods, the curling bark from the trees, and the arc of the workman's tools ("Under. Over. Under. Over"). That is why the round baskets are strong and beautiful. Hazel Rochman
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Very good! Reasonable.
I love it.
Thank you!
12 of 13 people found the following review helpful.
The end of the collection
By A Customer
This beautiful book was the last one Barbara Cooney illustrated before her death in March of 2000. The story and pictures are great. A must-have for Cooney fans.
5 of 5 people found the following review helpful.
A gentle, entertaining story for young readers.
By Midwest Book Review
A young boy growing up admires his father's basket-making skills and anticipates the time when he'll be allowed to go to town to help sell them - but when the time arises, he's taunted for being a country boy. Should he be a basket maker? Barbara Cooney's illustrations enhance this gentle story.
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